Sorry Mom have grown from a group of college friends playing music together to a fierce and emotionally searing punk sound that fuses old school punk with pop punk, all with a hardcore edge.
Their music chronicles queer experiences and suburban despair through a nostalgic punk sound. And we can all get a taster of this with new track ‘Teeth‘.
It’s an emotional track about complicated parent/child relationships:
“This song captures the feeling of watching an immature parent grow old but never grow up. It’s about begging someone you have loved and lost to admit that, at the very least, they loved you the most.”
The song is a follow up to previous single ‘Shaving My Legs‘- a track which provides a fast-paced introduction to the overall album. The song tackles the feelings of being trapped- promising to start making changes to your life tomorrow but that tomorrow never comes.
‘Babyface‘ is the first full length release from the band, a follow up to their EP ‘Juno Goes to the Big House‘ which was released in 2021.
‘Babyface’ is out on May 12th. You can order HERE.
Main Photo Credit: Meghan Marshall
The Molotovs’ eagerly anticipated debut album ‘Wasted On Youth’ is a bold mix of new wave punk, indie, and garage rock, showcasing the band’s raw
It’s the annual Resolution Festival at the iconic 100 Club on London’s Oxford Street. A special Sunday matinee show billed as ‘A Day for Raye’
Your Punktuation Editor resolved to see several top bands at the annual Resolution Festival at the 100 Club in London. Joint headliners Menace and The
Self Torque have influences that spread fairly far and wide, including the likes of Weezer, Buzzcocks, Stiff Little Fingers, Hot Snakes, Young Livers and The
Steve Diggle’s decision to keep Buzzcocks going, taken after the all-star Pete Shelley tribute show at the Royal Albert Hall in 2019, is a pressure.
As many of you know, Charlie Harper of the UK Subs has written his autobiography ‘An Anarchy Of Demons’, which was released on 5th September
I’m Molly Tie- I Love punk! I play drums (badly), write a lot about punk (not as badly) and I’m particularly interested in issues relating to women in the music scene.
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