Fresh from the hanger, a new 10" single by those magnificent Wingmen is out today!
Following January’s self-titled debut album and June’s 7″ single release ‘Down in the Hole / Turn to Stone‘, Wingmen bring us the previously unreleased ‘Don’t Look Back‘ on a beautiful 10″ red splatter vinyl record from Cadiz Music. If you don’t have a record player, fear not – it’s also available on most major streaming platforms.
Wingmen – Paul Gray (The Damned), Marty Love (Johnny Moped), Baz Warne (The Stranglers) and Leigh Heggarty (Ruts DC) together with Rob Coombes (Supergrass) first performed this great number on their debut tour, and it went down so well with the attendees it was always going to be an excellent choice for a single release!

Backed with not one but two songs on the B side, these tracks were all recorded during Wingmen’s first studio sessions following lockdown.
‘Don’t Look Back‘ is an upbeat song, with sublime bass lines from Paul Gray, a modern, Stranglers-esque twist on the vocals by Baz Warne, suitably punctuated by Leigh Heggarty’s versatile lead guitar and Marty Love’s pacy drumming.
It’ll lift your spirits with its positive vibes and messages, and I’d surmise that it has timeless appeal.
The first track on the B side is a superb cover of The Move‘s 1967 single ‘I Can Hear the Grass Grow‘, with the band in full late 60s far out fettle. Subtle and harmonious backing vocals come from the talented Maxine Talulah, taking us back to a time when music was, well, groovy baby!
Completing the set, another cover, this time of T. Rex‘s ‘Solid Gold, Easy Action‘. Originally released in 1972, this cracker of a song was played each night during Wingmen’s live tour set, with Leigh Heggarty getting to show off his excellent slide guitar skills.
It was my favourite of the covers the band played on tour, and the recorded version is just as stunning.

Although it may have seemed quiet on the Wingmen front recently (all members have been busy with their parent bands), drummer Marty assured me that they are continuing to write and record music, sending it to each other online as they did originally during the pandemic.
They are very keen to tour again too, so look out for news here in Punktuation! Mag about their future releases and live appearances!
Available in a limited run of just 500, you can order your copy of ‘Don’t Look Back‘, direct from Cadiz Music, HERE

Main Photo Credit / all photos: RUTH RAE
- DON’T LOOK BACK
- I CAN HEAR THE GRASS GROW
- SOLID GOLD, EASY ACTION
Follow Wingmen on Their Socials:
Need more Punk In Your Life?


Six of the Best – 26th February 2025
Single, EP and Album releases from The Pighounds – Tutti Frutti’, State Power – ‘Final Hour’, Launch Control – ‘Hedge Fundamentalism’, Killing Daisies – ‘Echoes


Live review: TV Smith raises the Face Bar roof in Reading!
Punk legend TV Smith may just be one man with an acoustic guitar, but the founder of The Adverts can still fill a room with


EP review: ‘¡No Pasarán!’ by Dutch punks Mouser
Mouser, four veteran punks, release new songs on the fascist threat, mobile phones, refugees and forced labour in prisons in their debut EP ‘¡No Pasarán!’.


Album review: Black Spiders – ‘Cvrses’
Isn’t rock n’ roll supposed to be a young person’s game? Then how come so many of the old guard are doing such a great


Album review: Split Dogs – ‘Here To Destroy’
There’s one glaring omission on ‘Here To Destroy’; namely that, unlike a Split Dogs gig, it comes without vocalist Harry Atkins’ utterly magnetic stage presence.


Six of the Best – 19th February 2025
Single, EP and Album releases from Eville – ‘Plaything’, SPY – ‘Seen Enough’, Silverstein – ‘Antibloom’, Punchcard – ‘Soap Box Hero’, Real Sickies – ‘Triage’
Usually found jumping around down the front at gigs, I also relish taking photos and videos, singing, speaking with fellow music fans, and asking musicians the questions nobody else does. Writing about my favourite bands and connecting with people who love music too keeps me more-or-less sane! I’ve worked for over 25 years at a video production company, mainly filming live music events, therefore I have an additional backstage perspective on the scene.